I felt I had to follow up my previous blog about the never-ending story with this post on a similar theme.
I was a pre-school playgroup leader for a time when my children were young. For each day’s session I prepared a craft for the kids. I cut out all the bits and pieces so I could give each child with exactly the same materials. I made a sample of the craft so I could hold it up for all to see.
“This is what we’re making,” I said before setting them lose to create.
If there were 15 kids in the group, at the end there would be 15 completely different crafts.
I admired (and envied) how freely those children followed their artist souls and created without apprehensions about what other people might think. I loved how they danced with excitement with their finished products in hand, no matter what they looked like.
A workshop at the writers’ conference I attended recently reminded me of this.
In the workshop led by Cordelia Strube we worked together to come up with a particular set of circumstances and characters, and then we each wrote individually for about 20 minutes. After the time was up we shared our work.
If there were 20 of us in the group, there were 20 completely different stories.
Once handed the common building materials, each of us scanned them to see what resonated with us individually. We attacked the story from starting points and viewpoints that felt right to us.
Writers in a workshop setting strive to be like those children doing crafts: honouring our artist souls and opening to inspiration, ideas and images, unimpeded by barriers and apprehensions. When we succeed at this, the work we come up with amazes us—shocks us, even—because it’s better than anything we could have foreseen in advance, with all our adult barriers in place.
When we get out of the way of our artist soul, the spirit of the work is good. True.
Astonishing, every time.