Category Archives: Music
“You must do the thing you think you cannot do.”Eleanor Roosevelt
“Can you eat an apple by yourself?”
That was the question asked of the children gathered at the front of the church. All of them nodded. Yes, eating an apple was an easy thing for them to do.
“Could you always do that, or did you have to learn?”
Roxanne Goodman, a performance instructor in popular voice with Carleton University, started her presentation with those questions. I think she wanted all of us — children and adults — to think and learn and honour our potential.
Every day she works with people who tell her they want to develop stronger, more beautiful voices. The problem is, she says, that those same people don’t have a good perception of their voice at the time.
In other words, they want to “eat an apple” but they haven’t yet, and they’re sure they’ll never do it as well as Ella Fitzgerald, Lady Gaga, or Elton John.
She shared a story from her own life to help us on our path to understanding. When she was a young woman she sang a solo in her church. After the performance a gentleman said to her, “You have such a beautiful voice.”
“It’s okay. It’s all right,” she replied.
Hearing that, he said, “Tell me, am I the only person who’s ever said this to you?”
“Oh no, people tell me that all the time.”
“Do you think that we are all lying to you?” he said.
After that she asked herself: if she was wrong about her ability as a singer, what else was she wrong about? What else could she do that she was telling herself she couldn’t do?
She started from there, with a new belief that she had a beautiful voice. She studied to learn the technical aspects and how to get the emotion out.
She made lots of mistakes and learned from those too.
She believes that anyone can learn to sing from their true voice if they do two things:
- Appreciate what they already have; believe in the beauty of their voice.
- Sing from the depth of their being, their essence.
She pointed out that Eleanor Roosevelt didn’t say we must do the thing we cannot do, but the thing we think we cannot do.
We sometimes think our way out of facing fears and opening ourselves up to the next step.
We can also think our way to our true self.
I apply Roxanne’s lessons to writing: appreciating the beauty of my writing voice, learning the technical aspects and how to get the emotion out, making lots of mistakes, and allowing myself to be vulnerable enough to let my readers see me.
Can you eat an apple? What else can you do that you’ve been telling yourself you can’t?
Start with one bite.
Listen to what she had to say: http://www.trinityunitedottawa.ca/wp-content/uploads/2018/11/Reflection-181118.mp3
Visit Roxanne’s website: www.confidencebooster.ca
Go to the Big Soul Project Christmas concert: Saturday, December 8
I’m not a “bucket list” person, but I would say that it would make me happy to see this someday:
Organ pipes carved into stone steps on the shore of the Adriatic Sea that respond to the air pushed in by waves that lap against the steps. Shades of South American wood pipes and flute.
A little good news about nature and humanity on this Friday the 13th.
How you answer that question might determine your level of success, according to Stanford psychology professor, Carol Dweck. Her book, Mindset: The New Psychology of Success, looks at why some people achieve their potential while others do not.
Early in her academic career, Dweck studied why some children gave up in the face of failure and why others persevered and went on to overcome obstacles. She discovered that the difference lay in the child’s belief about why they had failed: Those who believed they failed because they lacked an inherent ability gave up, but those who believed they failed simply because they hadn’t tried hard enough became even more motivated to keep trying.
Dweck’s studies apply to education, sports, careers, hobbies and personal relationships, and there’s another layer to this too.
Some students didn’t want to be seen to fail. For them, looking smart was far more important than learning anything, so they only took part in activities in which they knew they would not fail. They avoided any experiences that would require them to stretch and grow. Other students didn’t worry about appearances and took risks because their failures gave them a chance to learn.
In other words, some people want to showcase abilities they believe to be inherent, and other people want to enhance abilities they believe they to be malleable.
The good news is, Dweck discovered that people could change their beliefs and enjoy the benefits. When they learned to embrace failure and keep trying, they improved performance.
There’s hope for all of us who have ever said, “I can’t do math to save my life,” or “I’m no artist.” Perhaps we just need a few more failures and a little more perseverance.
Read more in Standford Alumni
Should auld acquaintance be forgot and never brought to mind? Sometimes, yes, for your new time’s sake.
At midnight on New Year’s we sing a song about the past instead of the future. For me, for the new time pelting me moment by moment, I prefer to look forward. No point in clinging to unhealthy, damaging relationships for old time’s sake. Choose healthy ones, look forward and go out and have some fun.
For New Time’s Sake
For new time’s sake, my dear,
For new time’s sake,
We’ll take a cup o’ kindness yet
For new time’s sake.
We two will run about the hillsides,
Amongst the daisies fine,
And we will wander many a mile
For new time’s sake
We two will wade in lapping lakes,
From noon to dinner time
And seas we’ll cross, and lands we’ll see
For new time’s sake
And there’s a hand, my trusty friend,
And give me a hand of yours,
And we’ll take a drink of goodwill ale,
For new time’s sake.
And surely I’ll pay for your pint,
And you will pay for mine
And we’ll take a cup o’ kindness yet
For new time’s sake.
Since my return from our London vacation, I have mined the experience for blog post material. Until today I hadn’t touched on the number one highlight of our trip: Liverpool.
We took an early train and arrived in Liverpool mid-morning. We promptly hired a Fab Four cab and spent two hours with a personal guide who took us to Beatles’ haunts: the house where Ringo was born, Penny Lane, the barber shop, Strawberry Field, and the church hall where John and Paul first met at a church fête. (The British pronounce this word like “fate,” for some strange reason.)
This all served as a fun warm-up for our afternoon activity: the National Trust tours of the childhood homes of Paul McCartney and John Lennon. The National Trust maintains these properties with love and respect and allows wary access to others prepared to give the homes the same love and respect.
The custodians share heartfelt personal stories of John and Paul, and they walk guests through the rooms where some of the most famous music in the world was born. We sang “Hey Jude” in Paul McCartney’s living room. We stood at his bedroom window and looked at what his view would have been like. We sang “Please, Please Me” in the front porch of John Lennon’s house, the same place he and John went for good acoustics. The doorknobs and light switches were original, so I think every person on our tour reached out to touch the doorknob and light switch of John Lennon’s bedroom. (Wouldn’t you?)
The evening found us at the Cavern Club, the music venue where the Beatles (and many others) got their start. We sang and danced under the ancient arches of the historic club—until we had to tear ourselves away to catch our London train.
We happened to be in Liverpool on my birthday, so I can proudly say that for my birthday dinner, I enjoyed pints of ale at the Cavern Club and crisps on the train. (That’s potato chips in North America.)
Do I know how to celebrate 52, or what?
I was born in 1962, so I was too young to be a Beatles fan when their popularity first skyrocketed in the early 1960s. My interest in them came later. But my husband is a few years older than I am, and he had an older brother who was a teenager when the Beatles were prime time, so he is an avid fan and a trivia master of all things Beatles. Even though my passion for them should not even be measured on the same scale as his, I still visited these sacred sites with a sense of awe. I still reached out and touched the doorknobs and light switches. I slipped off my sandals and walked barefoot on the floors that Beatles’ feet touched.
They were simple human beings—not famous people—when they lived there, and tragic things happened. Both Paul and John were just teenagers when they lost their mothers when they were living in those homes. Paul’s stories had a before-and-after, “after Mom died,” theme. Paul’s father did his best, but “after Mom died” the meals weren’t as good, the cleaning not as thorough, and the furniture got a little shabby. Meanwhile, John’s mother was struck by a car—sent flying through they air—and killed instantly on the street where he lived.
Standing in the places where they lived when the world considered them ordinary and where they lived through those tragedies, I felt a “vibe,” a sense of the little pieces of them that still linger there. I felt it in the homes, I felt it when I danced and drank ale at the Cavern Club, I carried it with me to the train, and I remember it now.